In the quiet atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. His posture is effortlessly straight-backed, his limbs defined beneath a simple white T-shirt. During performances, ballet dancers can appear as mighty gods, yet frequently offstage they are small. Not so Ball, whose tall stature is part of his demand for heroic roles and pas de deux work. With fine features and piercing eyes, there's a touch of a brooding actor about him.
An Apparent Ascent to the Pinnacle
At 31, Ball is experiencing the crest of a career that has progressed seamlessly. Growing up in Liverpool, he encountered little teasing for his early interest in ballet. Joining the esteemed training institution at 11, he moved straight into the troupe and was promoted annually, reaching the top rank of lead dancer in 2018. He has relished tackling substantial dramatic roles, especially the emotional turmoil found in Kenneth MacMillan's ballets.
"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."
Ball's upcoming starring role is as himself, in an "In Conversation" series designed to offer behind-the-scenes perspectives into a performer's art. He will walk the crowd through a role, showing his cognitive process while performance. Even in more comedic works, the test is profound. "A classic ballet is one of the toughest technically," he states.
The Mental Struggle and After the Show Feelings
What about after a performance, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to extract all the juice out of it, and get lost in the role, frequently I do feel self-conscious later. After Mayerling I'm always thinking: God, what must people think?"
Offstage, Ball is reflective, polite, and quick to laugh at himself. Yet a dance maker previously remarked on a "kind of suffering in him." Does this exist? "I am very energetic usually, but I do have a dark side," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an instigator for positive change."
Early Motivations and Creative Influences
His tenacity stemmed from youthful setbacks. Not excelling in contests at school made him "driven!" It was fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he recalls.
An upcoming endeavor is making his own dance works. For Ball, "organic movement has value." "Breaking the conventions is interesting, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing ideas from books, compositions, and art.
Close-Up Performance and Private Dynamic
He also is interested in presenting dance in smaller spaces. "It was just really thrilling," he says of a past show. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"
Ball has created duets with his girlfriend, fellow principal Mayara Magri. The degree of trust between them is clear. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." They aren’t typically paired on stage at their home company, which might be healthy. "We’re both quite determined people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s favorite cheerleader."
Regarding Instagram and Physical Perception
On Instagram, followers can see clips from his projects and images that highlight a athletic physique. Does he mind that the response can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—an object that can be interpreted on various levels.
Ball describes his younger self as "desperate for success." Did it lived up to his hopes? "I am conscious of how life is a different reality to the dreams you made as a child," he muses. He probably has another ten years of performing ahead. "I suppose in the time to come, I want to be a bit more kind with myself."